![]() It’s basically a green circle from the drone shot: you can see where a player will hit his drive or his second or third shot as he is trying to come up to the green. “This year, we’re going to do a lot more enhanced player tracking and visual effects on top of those drones, including a splash-zone graphic. “We were proud of our drone coverage in 2022,” says Staeger. This year, LIV plans to incorporate AR virtual graphics into drone shots more often to illustrate where players can expect to score better. LIVE Golf productions typically feature more than 50 cameras strewn throughout the course, including a pair of drones and a CableCam wired system. It helps to drive the banter and dialogue in our broadcasts.” Virtual Graphics: Splash Zones, Putting Graphics, a Telestrator They get to weigh in and give their opinion and get seen on camera, but also it fuels some of the conversation from our commentators and helps us be regional and global at the same time. People are watching live all around the world. “It’s fun because it lets people be interactive. “We did a lot with social media with Tagboard last year,” he says. LIV will also bring back Tagboard to integrate social-media content into broadcasts and will feature it more often within the leaderboard pylon in a more “organic way,” according to Staeger. LIV deploys an editing unit onsite to create these replays, and the commentary team explains the action to viewers - also similar to Formula One’s coverage. That’s where our ‘Don’t Blink’ packages come in.”ĭon’t Blink replay packages run periodically throughout the broadcast and catch viewers up on key shots that aren’t shown live. ![]() ![]() Of course, with the shotgun start and all the threesomes playing at once, we’re going to miss some shots. You’re seeing live scoring on the pylon as it happens. “We wanted to steer away from that and be authentic right from the get-go. ![]() “We don’t pretend that we’re live like most golf coverage does where shots are taped from two or three minutes ago and played in the broadcast as though they are live,” says Staeger. With all 48 players playing at once, LIV’s production team lives by a central mantra: “Never pretend you’re live.” Player-ID technology will be deployed to give insight to player choices. To keep viewers up to date, LIV last season introduced a leaderboard pylon graphic (driven by Champion Data) that is inspired by Formula 1 broadcasts and intended to provide clarity for viewers, displaying strokes as well as such information as number of holes left to play. Although the format enables a more compact viewing window, it also means that lots of action is taking place at the same time. LIV Golf’s shotgun start - in which all 48 players are on the course simultaneously, teeing off from different holes – makes the broadcasts unique in the world of golf. Keeping It Live: The Pylon Leaderboard, ‘Don’t Blink’ Replay Packages Veteran Fox Sports executive Clark Pierce is back as head of innovation and production partnerships and once again is working closely with NEP, which provides key production facilities for LIV’s global schedule of tournaments. (Photo: Hailey Garrett/LIV Golf)ĭirector Steve Beim and producer Keith Hirshland are again in the truck calling the shots this season SVP, Worldwide Production, James Watson and Creative Director Will Newell also return. LIV Golf productions will feature more than 50 cameras at each tournament.
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